Artist Statement
My work is inspired by the principles of Japanese art and minimalism, both of which emphasize simplicity and clarity. In a world that often values excess, my art explores the idea that less can be more—both visually and philosophically.
Minimalism, for me, is not just an aesthetic choice but a lifestyle philosophy. It speaks to the value of living with less—whether in terms of material possessions, distractions, or emotional clutter—and finding richness in simplicity. Through my art, I hope to encourage viewers to consider their own relationship with excess and to find meaning in the quiet, unembellished moments that often go unnoticed.
In each piece, I aim to create a space for reflection, where the viewer is invited to pause, breathe, and experience the profound peace that comes from embracing the beauty of less.
Winter 2024- Current
Gullery's current work is a series of watercolor and ink paintings. She draws on the refined sensibilities of traditional Japanese ink paintings to explore the delicate threshold between blossoming and decay. Each painting includes a magnified floral scene- some gestural, some detailed. These paintings were shown at the Athenaeum's ArtSpace for the month of May 2025.
Summer 2024- Current
Some of Gullery's current work are miniatures. She perfectly tapes the border to compose the 2 -5 inches of space. Her goal is not perfect realism, but the essence of the place. Each painting includes a hefty white border of paper to create that empty space which balances the miniature painting's texture and detail.
Summer 2024
A throwback to her pointillism series from early 2023. She painted thousands of tiny dots that make ethereal floral paintings of large scale. Instead of one large piece of paper, Gullery pieced together squares of paper as the backing, making each painting look like a quilt.
2023-Summer 2024
Inspired by minimalism, this body of work includes still lifes that celebrate the calm we feel when we are in a simple space. As an homage to her heritage, she incorporates designs from ancient Japanese pottery in many paintings. The thinly glazed oil paint allows for obvious texture and depth in each still life.
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